What am I doing now part 2

I've been keeping myself busy
- reading, making, doing and listening.

Reading wise - I've been struggling to concentrate at times but the last couple of days I have been really enjoying Have A Bleedin Guess (2019) by Paul Hanley - the story of the making of Hex Enduction Hour by The Fall. It's always interesting to read about others creative processes and Paul writes the best footnotes. I only got it on Sunday night - after the Brix and The Extricated gig at the Brudenell and it was really nice to be able to buy it directly from the person who wrote it and to be able to thank them for their previous book Leave The Capitol. I'm not sure how much you'd enjoy it if you weren't a Fall fan, but Fall fan or not I'm sure you'd enjoy Paul's descriptive incisive smart witty writing and his truly excellent footnotes.

I'm also reading Anne Tyler's Searching for Caleb (1975). I've not had the time/state of mind to get completely lost in this like I did with when I read her Back When We Were Grown Ups (2001) and A Spool of Blue Thread (2015) but am hoping to get lost in it some time soon. I became aware of her work after reading an interview with my beloved John Waters in which he praised her work so I determined to read some for myself. And I'm glad I did as I have really enjoyed the ones I've read so far.

Other books I'm dipping in and out of when I can include 17 by Bill Drummond (2008) which I bought recently from Oxfam in Headingley, and Cursed Britain A History of Witchcraft and Black Magic (2019) by Thomas Waters borrowed (like the Tyler) from the Leeds Library. I treated myself to membership when I became a student and I have continued to treat myself to it.

I was a fan of the KLF back in the day though I can remember feeling indignant about their burning of a million quid,  you can listen to a dramatisation of that event here and I recently went to see him and the documentary about him called Best Before Death (2018) at the Hyde Park Picture House. In that perfomance he questions whether or not he is suffering from White Saviour Complex and ruminating that he probably is, but like Waters, he makes me laugh and think which is my favourite combination.

Speaking of John Waters, I went to see him speak in Birmingham at the beginning of the month and he was as ever - funny, filthy, thought provoking and inspirational. Alas this time I didn't get chance for him to sign my book and so have a filthy blessing but having had afternoon tea with him this time last year I think it's safe to say I remain in a state of filthy grace.

Making wise I've been knitting - I've made some booties for chums who have had babies, they are my default de-stress knitting, I've also made some presents for family members (xmas is only a month away) and I've finally got round to making over an old turkish delight balsawood box, knitting a kind of skull creature and I'm still in the process of making some matte medium image transfers. I just need to wet the paper and rub it away and hopefully the image will be remain intact on the material. 

I didn't see lots at the Leeds International Film Festival but what I did see I really enjoyed. It included Haxan (1922) the scenes in which nuns are infected with devil worship are brilliant, but my favourite film seen as part of the festival was also the film which won my 'What The Actual Living Fuck Have I Just Seen?' Award for 2019 was Jesus Shows You The Way To The Highway (2019) and as I'm still not sure how best to describe it other than mindblowing, instead I shall link to a trailer for it here and you can make up your own mind. It's worth watching for the trailer alone.

Other things I've been listening to have included Drift Series 1 by Underworld which includes the very excellent 'Low Between Zebras whose opening lines of 'drift liberation, a happy wanderer journeying without purpose,travelling directed by intuition not target to move through places with no other objective than to experience the moment' really speaks to me.

I'm also mostly still watching the Horror Channel or Talking Pictures TV as it is a treasure trove of interesting films and listening to Radio 4 Extra as it has no news it is much less painful to listen to than regular Radio 4. The news is still mostly bringing me out in hives and other than looking at front pages of the news sections of the BBC and the Guardian I'm mostly trying to ignore it as it makes me feel so sad and helpless. 

I'm still gym-ing and am hopefully on track for my goal of being able to deadlift 100kg by xmas. 

Housework is a boring thankless sisyphaen task, I know I am better off by doing it as the end result is of benefit but the process of doing it is just boring and frustrating and so by writing this I have put off doing the dusting. Alas however I can put it off no longer and must get to it...

Thank you for reading.

 

Non PhD-Ness 3months on from cessation aka what am I doing now?

Notes for todays blog post and what I hope to cover....

Phone image of the Goth cabinet currently at Leeds Museum in the Broderick Room and there til February 2020, installed as part of the Festival of Gothika held on October 12th 2019. I gave a talk as part of the festival entitled 'Hidden Relics: Uncovering Hidden Histories in St George's Field'.
3 of the hoops I have made containing photographs I have taken and transferred onto material - including coffin lining material are hung around the neck of the Newky Brown Bottle promo item. Said item used to live in the legendary and much missed Phono nightclub... and a place in which I spent a lot of my time in the late 80's when I first moved to Leeds. 

Road sign image taken on toy digital camera - this is cemetery Road off Clarendon Road Leeds 6. It leads to one of my very favourite places namely St George's Field, the former burial ground that is part of Leeds University campus.

So pleased to have recieved this unexpected treat in the post from the never not funny Hacker T Dog aka Phil Fletcher. His brand of dog based meat paste fuelled slapstick, wordplay, cheekiness and proud northern-ness has helped me get through some really tough times recently. I am extremely grateful to him for making me laugh. I am also extremly grateful to my ever supportive husband Mr Pops, Mapp, my lovely friends and Paul at Crunch Gym in Meanwood for helping me get through it too. I can now deadlift (just by its name it is the goth-est of all exercises *grin*) 85kg and have a goal of being able to deadlift 100kg by the end of the year...lack of further illness and injury permitting that is.

  

Oh my poor neglected blog, which I haven't really looked at or updated recently. On checking I updated it last in June 2019 when I put up some images of work I've made, and prior to that it was November 2018. Annoyingly (for myself anyway - it might have been a blessing for readers *grin*) I let someone who I should not have paid any attention to niggle away at my self confidence, especially in connection with writing this blog.

Sadly though I let their rude, unsubstantiated and contemptuous opinion of blogs and blog writing overtake both the compliments I have been paid with regard to it but more distressingly and stupidly I let it get in the way of how useful I find writing it as a way of collating my thoughts.

So I am hoping to get back into the habit of regularly updating it, maybe not as regularly as when I did my MA (which was at least once a week) but maybe once a month. Like when I first started my PhD at Huddersfield Uni in September 2017 and which after a lot of thinking and discussion with the head of department I decided to withdraw from before the start of the new academic year in September 2019.

I withdrew for various reasons both personal and institutional but the bottom line was it was making me increasingly stressed and unhappy and had been since the start of my second year. Difficult circumstances external to the PhD were also having a negative impact on my mental health and so my ability to study and I was unable to secure the help and support I needed to deal with those issues at the time. Circumstances that thankfully are now resolved and long may they stay that way. I'm hoping that physio is going to help with ongoing plantar fasciitis problems though. Not being able to get out and about as much as I would like to has been and continues to be really limiting and horrible.

I had started a PhD for my own satisfaction as opposed to 'I've got to do this because I want a job in academia' and I am still deciding what steps to take next - if any in a formal academic context. Steps being the possibility of transferring to a more traditional history based PhD as opposed to a practice based one as one of the areas I was finding most difficult was writing about my work in a way necessary to highlight the practice based elements of the research and what was original about it but I am still undecided about this and still thinking longer term what is the best thing for me and my work.

I am still unhappy about leaving things unfinished as it were, especially as it plays into negative feelings I have about my own abilities and makes imposter syndrome feel far too real for me but I have no regrets about not returning to Huddersfield Uni, that was definitely the right decision for me.

However I also realised I needed a break from all things academic/research related and so for a lovely few weeks over the summer I was lucky to be able to do things like pursue other purely photographic interests namely seasides, watch and listen to Count Arthur Strong who like Hacker T Dog never fails to make me smile, I went to see the wonderful and awe inspiring Carter Tutti, listened to bands like Snapped Ankles, The Psychological Strategy Board,Brix and the Extricated, and went to the cinema A LOT (might have to do a separate blog post about the films I've seen and enjoyed so far this year)in other words I gave myself very much needed rest and thinking space.

Outside of a specific academic context I am still continuing my research into the history of some of the women buried in St George's Field and Victorian Mourning Culture and still making photographic based work inspired by or connected to it. You can see some of my hoops featuring images I've taken of St George's Field in the Goth Cabinet in the Broderick Room of Leeds City Museum until February next year.

I am still at my happiest when wandering round a Victorian era cemetery, researching its context and specific history and making work inspired by it and that process. I am very glad that I have not lost that love or my enthusiasm for my subject matter. I still want to learn more.

Nor have I lost my love for Victorian era sensation fiction and over the summer I read (for that read could barely put down) East Lynne by Ellen Wood. Oh my goodness, what a page turner of improbable occurrences, coincidences, vividly written events and characters and I enjoyed every single sentence of its gripping improbability.

When trying to describe it to the Darling Roses WI group I said it was like Jackie Collins but without the explicit sex scenes though there is elopement which is almost the same given the time in which it was written (1861) and every bit as enjoyable though you do have to make sure your 'suspension of disbelief muscles' are in good form before you start reading it.

So that's where I'm at and a bit of what I've been up to, I'm still in the midst of planning and researching my next steps but I hope to blog about it on the way.

Thank you for reading :-)

 

PhD-Ness - Part 13 Year 2 Some Work So Far...

It's been just over 6 months since I've updated my blog. For various reasons I got out of the habit but I've decided to try and get back into the habit. It's a good habit as writing up what I've been up to is a good way for me to a) collate information b) keep track of the progress I'm making and c) be able to show examples of my work. 

This post is a mostly visual one with examples of what I've been working on over the last few months and a few words about each piece. All of the pieces shown have been made in connection with my research into the history of St George's Field, some of the people buried there and Victorian mourning culture. I'm interested in the past, how we view it and how we can collaborate with it. 

Close up of memorial decorative detail on a stone nearest the Chapel at St George's Field. B+W film image. Flowers were often used on gravestones in the Victorian era, sadly this stone is missing the name plate so I cannot tell you who it was for. There is something about the fading flower covered in spiders webs  against a backdrop of decaying stone that I find aesthetically pleasing and I am repeatedly drawn to it.

This is a matte medium image transfer of Anne Carr's grave. It was made using a print of a 35mm colour photograph I took of her gravestone on January 18th 2018 on what would have been the 177th anniversary of her death. I laid a yellow rose on her stone in tribute to the work she did with so called 'fallen women' who would often be made to wear yellow when housed in a workhouse. I am especially interested in the work, life and death of Anne Carr. She was the founder and Presidentess of the Female Revivalists Friendly Sick Society and she preached sermons inspired by the New Testament around the country as well as encouraging people to take the Temperance Pledge and forgo the 'demon drink'. 

This is a 35mm black and white film image of the Chapel building at St George's Field, taken with a fish eyes lens. I've been making work in and about St George's Field and researching its history and the history of some of the people buried there since 2013. This image is part of a series called Once and Now.

This is an anthotype of the same film image made with weeds collected from the site.

This is a lumen print of the same film image of the Chapel.

This is a 35mm black and white view of the view through the entrance to the site nearest to Clarendon Road.

Comfort in Sorrow
This is an installation I made for the Living With Dying Conference at the Live Art Bistro in March 2018.
It consists of muslin soaked in a solution of dirt from St George's Fields for 3 days, along with a mix of prints of images printed on coffin lining material (generously donated by Luke Howgate and Sons, Dewsbury) and dried roses.  

digital picture of reflection pic taken in the rain in April 2019 

Another b+w film image view of the entrance to the site nearest to Clarendon Road  

An experiment with printers ink, rollers and leaves collected from the site.

Matte Medium Image transfer of a 35mm colour film image of the tomb of George Thwaites and family. He was an innkeeper and lived on Vicar Lane in Leeds. He died in 1855 of inflammation. This image was left on the site for 4 weeks.

A reworking of the Comfort in Sorrow installation for the Death and the Sacred Conference at Manchester Metropolitan University March 22nd 2019

Work in progress - rubbings of various parts of the site. One of the things I'm interested in trying to achieve is a kind of collaboration with the site. 

view of Once and Now - show at Kapow Coffee, Thorntons Arcade, Leeds October 2018-November 2018
2d printed and framed work

Close up of hoops - images are 35mm film images heat transferred onto on coffin lining material and hoops covered with purple and grey bias binding, purple and grey are colours associated with Victorian mourning.

works in progress - matte medium image transfers of 35mm film images of the Chapel at St George's Fields