More image heavy post this week showing bits of what I've been up to - the top picture shows a matte medium image transfer in progress. I'd printed the 35mm image I'd taken of St George's Field on ordinary printer paper, cut it out and also cut a circle of cream muslin and put it in an embroidery hoop. The hoop keeps the material nice and taught. Then I paint a layer of matte medium on the material, then on the cut out image and then put the image on top of the material and smooth it as flat as possible to ensure minimal creases or bubbles. I leave it to dry overnight and then using tepid water make it all damp and then slowly and carefully with my left index finger start to rub away the paper in a circular motion - thereby hopefully leaving the print from the image caught in the layers of matte medium.
The second image is also a matte medium image transfer in progress - this time a colour 35mm image I'd taken of Ann Carr's grave on what would have been her 235th birthday when I left a yellow rose on her gravestone as a tribute to her and her work with so called 'fallen' women. Women who had children outside of wedlock were often made to wear yellow in the workhouse as a way of marking them out from other workhouse residents. I have not read of the fathers of these children being made to wear something similar to mark them out.
3rd image is of the same image when the paper has been rubbed off for the second time - it usually takes a couple of goes to get as much of it off as possible - all the while trying not to rub so hard that you rub off the image too. Sometimes though the bond between image and material underneath isn't that good - especially around the edges. I am especially careful on those bits but sometimes to no effect. Sometimes it really annoys me when the edge lifts up but other times I think it adds to the image as it a)shows the human touch in the process and b)imitates/recalls the way glass plate negatives can look - either the person painting it missed the edges in the darkroom or it has become damaged over time.
Ways round the edges coming up include: only using muslin to transfer images onto as that seemed to grip the image best or making the border of the transferred image a half inch wider and then cutting it out with a neat solid edge...
The third image also shows some of the experimenting I've doing with kinetic drawing/mark making on paper which involves putting paper in a tube along with a marking medium, in this case chalk, pastel and crayon. The tube is then sealed and placed at the bottom of my rucksack - these are the results of a walk to Meanwood and back but it's not made much of an impression on any of the papers. So I'm going to ask an artist friend of mine who does these for any tips she might have in the hope of making something more definite - maybe I just need to do it for longer or make the ends of the chalk/pastel/crayon more pointed.
The last image shows the finished image transfers - I've rubbed off as much of the paper fibres as possible and added a layer of gloss medium to finish them off. Without it the images can still look quite flat and a little bit fibrous. It also shows this weeks post it note - which as you can see isn't over full but it has been a busy week with quite a lot of reading and doing and listening and seeing and watching.
The reading has mostly been of the psychogeographic variety as I have made a start on On Walking by Phil Smith - especially useful as he references The Rings of Saturn by WG Sebald which I (finally) finished last week. Huzzah. I also re read the introduction of Photographs Objects Images edited by Elizabeth Edwards and Janice Hart and I have ploughed a bit more of the way through Adam Bede by George Eliot. I also picked up a copy of Walking Inside Out by Tina Richardson.
Part of my rationale for reading these is part recommendation by tutors but also part methodology writing as to write mine up is part of my homework from last weeks supervision along with a redrafted research plan for year 2.
It was also the launch of the festival brochure for the Love Arts Festival last week at which I chatted and caught up with folks. I also made a collage which was great fun. It's been a while since I've made something with just the joy of making something in mind as in I wasn't consciously trying hard to create a particular effect or feeling or end result. It felt good. You can find out about all the events, exhibitions and happenings of the festival here including my contribution Once and Now at Kapow Coffee 15 Thornton's Arcade and fingers crossed the framer will have finished framing them by then so that I'll be able to put them up at the end of the week.
So lots of doing of all kinds and I'd best get cracking on with my to do list for this week but first off I need to get something to eat, and to tidy my workroom a bit.